leonor fini christian dior | christian dior spring couture leonor fini christian dior Maria Grazia Chiuri’s feminist research instincts took her there as she read up on Leonor Fini, one of the avant-garde artists Christian Dior chose to exhibit in the gallery he was involved with. $25.00
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Chiuri was thinking about the Surrealist artist Leonor Fini, whom Monsieur Dior worked with on a gallery exhibition before he became a .
Maria Grazia Chiuri’s feminist research instincts took her there as she read up on Leonor Fini, one of the avant-garde artists Christian Dior chose to exhibit in the gallery he was involved with.
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Chiuri was thinking about the Surrealist artist Leonor Fini, whom Monsieur Dior worked with on a gallery exhibition before he became a couturier. Chiuri’s stark black-and-white stripes, polka. Leonor Fini. The key reference of the show was the artist Leonor Fini (1907-1996). She was a friend of Christian Dior. She often wore his designs and also had her first exhibition in the gallery run by Dior himself. Fini was an Argentinian Surrealist artist, raised in Trieste, Italy. Maria Grazia Chiuri’s feminist research instincts took her there as she read up on Leonor Fini, one of the avant-garde artists Christian Dior chose to exhibit in the gallery he was involved with. Her first solo show was at a gallery directed by Christian Dior in Paris at the age of 25. In 1936, her work was included in the seminal “Fantastic Art, Dada and Surrealism” exhibition at the Museum of Modern Art in New York.
Her first French exhibition was staged in 1932 by Christian Dior at a time when the couturier was still a gallerist (1). Henri Cartier-Bresson. That same year, her sublime body was immortalized in water in a picture that has now become famous, taken by one of the best known photographers of the 20 th century, Henri Cartier-Bresson.Leonor Fini, who left Italy for Paris in the Thirties, held her first exhibition in Christian Dior’s gallery and befriended the designer from that moment onward. Whenever she made one of her phantasmagorical appearances, she often wore Dior. Chiuri explored Surrealism in her collection with a focus on American photographer Man Ray and female Surrealists Leonora Carrington and Leonor Fini. It’s no coincidence that she found inspiration in Fini, as Christian Dior, an art gallerist turned couturier, organized Fini’s first solo exhibition in November 1932. Leonor Fini – who had her first exhibition in the gallery run by Mr Dior himself – was a key reference. The artist was a friend of the designer and often wore Dior, as she explored and subverted the line between real life and art.
Leonor Fini, who left Italy for Paris in the ’30’s, held her first exhibition in Christian Dior’s gallery and befriended the designer from that moment onward. Whenever she made one of her phantasmagorical appearances, she often wore Dior.Fini’s first solo exhibition in Paris was mounted in 1932 at the Galerie Bonjean, where Christian Dior then served as director. Her work soon rose to prominence following her inclusion in the pivotal exhibition Fantastic Art, Dada, Surrealism at New York’s Museum of Modern Art in 1936, the same year she began exhibiting with the New York . Chiuri was thinking about the Surrealist artist Leonor Fini, whom Monsieur Dior worked with on a gallery exhibition before he became a couturier. Chiuri’s stark black-and-white stripes, polka.
Leonor Fini. The key reference of the show was the artist Leonor Fini (1907-1996). She was a friend of Christian Dior. She often wore his designs and also had her first exhibition in the gallery run by Dior himself. Fini was an Argentinian Surrealist artist, raised in Trieste, Italy. Maria Grazia Chiuri’s feminist research instincts took her there as she read up on Leonor Fini, one of the avant-garde artists Christian Dior chose to exhibit in the gallery he was involved with. Her first solo show was at a gallery directed by Christian Dior in Paris at the age of 25. In 1936, her work was included in the seminal “Fantastic Art, Dada and Surrealism” exhibition at the Museum of Modern Art in New York.
Her first French exhibition was staged in 1932 by Christian Dior at a time when the couturier was still a gallerist (1). Henri Cartier-Bresson. That same year, her sublime body was immortalized in water in a picture that has now become famous, taken by one of the best known photographers of the 20 th century, Henri Cartier-Bresson.Leonor Fini, who left Italy for Paris in the Thirties, held her first exhibition in Christian Dior’s gallery and befriended the designer from that moment onward. Whenever she made one of her phantasmagorical appearances, she often wore Dior. Chiuri explored Surrealism in her collection with a focus on American photographer Man Ray and female Surrealists Leonora Carrington and Leonor Fini. It’s no coincidence that she found inspiration in Fini, as Christian Dior, an art gallerist turned couturier, organized Fini’s first solo exhibition in November 1932. Leonor Fini – who had her first exhibition in the gallery run by Mr Dior himself – was a key reference. The artist was a friend of the designer and often wore Dior, as she explored and subverted the line between real life and art.
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Leonor Fini, who left Italy for Paris in the ’30’s, held her first exhibition in Christian Dior’s gallery and befriended the designer from that moment onward. Whenever she made one of her phantasmagorical appearances, she often wore Dior.
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